2025-05-30

repetition

defines how motifs or sequences repeat: as copies, decaying echoes, nested variants, or time-shifted mirrors.

introduction

the repetition domain governs how a core motif or sequence is reproduced over time without altering its intrinsic content. as part of the interplay layer, it enables structural cohesion and recognizability by mapping a motif onto itself through temporal copies, echoes, inversions, and hierarchical nests. all behaviors are pre-resolved and purely additive-no runtime modifications or reactive feedback.

overview

each form uses parameters a and b in [0,1], remapped to perceptually relevant variables. forms are irreducible and non-overlapping:

  • copy

    • behavior: repeats the motif identically at regular intervals.
    • analogy: photocopy
    • a: number of repeats (1–8)
    • b: interval between repeats (as a proportion of motif length)
  • echo

    • behavior: generates successive echoes with diminishing amplitude.
    • analogy: sound bouncing in a canyon
    • a: feedback amount (controls decay rate, 0–0.9)
    • b: delay between echoes (as a proportion of motif length)
  • mirror

    • behavior: interleaves the original motif with a time-reversed version.
    • analogy: reflected image
    • a: mix of original vs mirrored (0 = only original, 1 = only mirrored)
    • b: offset before mirrored motif begins
  • nested

    • behavior: recursively repeats the motif within scaled time layers.

    • analogy: russian nesting dolls

    • a: number of nesting levels (1–4)

    • b: duration scaling per level (0.5–1.0)

parameter behavior summary

  • copy

    • a: maps to repeat count (via 1 + floor(7·a))
    • b: controls spacing ratio between each repetition
  • echo

    • a: feedback gain (0 = full decay, 0.9 = near-infinite)
    • b: delay time relative to motif length
  • mirror

    • a: balance between original and mirrored version
    • b: time offset of mirrored entry
  • nested

    • a: number of levels of recursion

    • b: duration shrinkage per nesting level

why these were chosen

  • completeness: captures the core types of repetition - literal, decaying, reversed, and nested.
  • irreducibility: each form represents a unique behavioral subspace not derivable from combinations of others.
  • perceptual clarity: parameters directly reflect musically interpretable quantities.
  • structural purity: all repetitions are additive and statically resolved; no feedback or conditional behavior.

what is not included

  • transformational repetitions (e.g. transposition, rhythmic stretching): handled in the variation domain.
  • stochastic or reactive repeats: non-deterministic variants belong to field or variation.
  • dynamic or timbral evolution across repeats: addressed in dynamics, decorators, or envelopes.

conclusion

the repetition domain defines how motifs reappear without transformation. its four forms-copy, echo, mirror, and nested-provide a compact, orthogonal set of strategies for creating recognizable structure through recurrence. fully deterministic and irreducibly distinct, they anchor the interplay layer with time-based cohesion.