old experiments for learning about subtractive sound synthesis made over two years starting in 2003.
each song should offer something the others do not. even today, i still find the rawness of the sounds unusual. the tracks feature a relatively wide dynamic range, some more complex rhythms, hidden details, and usually synthesized instruments created from scratch.
one idea behind it goes like this: what if we distribute rhythms and melodies across multiple instruments, and some of them play louder or softer in unexpected ways? a rhythmic or melodic thread could hide within the noise or fade in and out of existence - not because it is not there but merely because it goes unnoticed - depending on the listeners current perceptual state.
released under a cc-nc-sa license. anyone is free to copy, create derivatives/remixes, and use samples without asking for permission, as long as it is for non-commercial use.
first musical tries. the first three tracks are a concept on creative process: conception: "session", work: "build up", and "use". it is different from the following albums in the structure of tracks and that it uses pre-recorded bits of sound primarily. i would recommend to listen from start to end, as i think it can be rewarding, and it is only 1.3 kiloseconds long
perhaps the least interesting in the series, except for the included four-song harsher noise collection "3.5".
tracks that had not been included in other albums